code: 6607
type: Design Carpets and Art Carpets
collection: Marco Nereo Rotelli
origin: india
dimensions 204 x 305 cm
6' 8" x 10' 0"
6' 8" x 10' 0"
€8.196,72
$9,016.39
UE Citizens + Italian Vat Tax (22%)UE Companies Italian Vat Tax Free
Available from:
Morandi Tappeti
Condizione: Antico
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Among the many artistic events created by Marco Nereo Rotelli, this summer at the gallery Artetotale in Pietrasanta it was held the exhibition "Splendor" dedicated to carpets that the artist created for Moranditappeti.
Works previously presented at the Palazzo Reale in Milan in the presence of SAS Prince Albert of Monaco have enriched the field of investigation of the artist rangi...leggi tuttong from sculpture to painting to mosaics including now also the textile.
this link you can download the catalog of the exhibition. SPLENDOR will discover how versatile and interesting this is an international artist who has made total communication of the overrunning interdisciplinary.
Works previously presented at the Palazzo Reale in Milan in the presence of SAS Prince Albert of Monaco have enriched the field of investigation of the artist rangi...leggi tuttong from sculpture to painting to mosaics including now also the textile.
this link you can download the catalog of the exhibition. SPLENDOR will discover how versatile and interesting this is an international artist who has made total communication of the overrunning interdisciplinary.
More info »
category: Design Carpets and Art Carpets
collection: Marco Nereo Rotelli
It isn’t easy to talk about Marco Nereo Rotelli’s artistic investigation because as you try to explain it you inevitably end up highlighting only a few of its aspects, while in trying to list the forms in which it is achieved, you lose its depth and overall dimension. Light, for example, for Rotelli is not merely a field of investigation, but is subject and object, the guiding thread, the result and agent, real and at the same time metaphysical, a psychic force and decoration. Even the word, an essential moment 0coordinating his work, is both the light of thought and a decorative element, expressed and compressed into concepts. His works are not even a support for art because art crosses it; even when he uses solid, heavy materials, such as marble, we can’t see the work inserted, but expressed and taken outside the material.[more] Fate led our roads to cross; while his artistic research was directed at pictograms, I was studying the symbols dear to the peoples of the Middle East. Marco has investigated the artistic sympathies between the language of poetry and the language of signs; I came first to understanding and then defining the carpet as a sacred space of a symbolic universe. Talking to me about the project, Rotelli defines the carpet as a spiritual place, a garden of ideas. By opening the Artetotale gallery I have tried to forge a path integrating classical arts with the ancient art of the knotted carpet, my intention being to use this ancestral support to enhance cultural communication between East and West. Marco, through technical complexity, has fully entered into communication with this interdisciplinary overlapping. The work of art which set off our collaboration is Splendor, i.e what “patrons” enjoy of light (creative spirit, ideas, thought) broken down into warps and wefts and reflected in signs, shapes and symbols. In this context the carpet itself becomes an icon of Rotelli’s art.
collection: Marco Nereo Rotelli
It isn’t easy to talk about Marco Nereo Rotelli’s artistic investigation because as you try to explain it you inevitably end up highlighting only a few of its aspects, while in trying to list the forms in which it is achieved, you lose its depth and overall dimension. Light, for example, for Rotelli is not merely a field of investigation, but is subject and object, the guiding thread, the result and agent, real and at the same time metaphysical, a psychic force and decoration. Even the word, an essential moment 0coordinating his work, is both the light of thought and a decorative element, expressed and compressed into concepts. His works are not even a support for art because art crosses it; even when he uses solid, heavy materials, such as marble, we can’t see the work inserted, but expressed and taken outside the material.[more] Fate led our roads to cross; while his artistic research was directed at pictograms, I was studying the symbols dear to the peoples of the Middle East. Marco has investigated the artistic sympathies between the language of poetry and the language of signs; I came first to understanding and then defining the carpet as a sacred space of a symbolic universe. Talking to me about the project, Rotelli defines the carpet as a spiritual place, a garden of ideas. By opening the Artetotale gallery I have tried to forge a path integrating classical arts with the ancient art of the knotted carpet, my intention being to use this ancestral support to enhance cultural communication between East and West. Marco, through technical complexity, has fully entered into communication with this interdisciplinary overlapping. The work of art which set off our collaboration is Splendor, i.e what “patrons” enjoy of light (creative spirit, ideas, thought) broken down into warps and wefts and reflected in signs, shapes and symbols. In this context the carpet itself becomes an icon of Rotelli’s art.
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